Para Site Art Space is excited to present the solo exhibition of Guangzhou artist, one of China’s most acclaimed young artists, whose work has been widely exhibited in various Biennials, solo and group exhibitions around the globe. In , calls her work “both critical and spectacular, using pop culture as a bridge rather than as a simple reference in the ubiquitous orgy of appropriation and revival” .
Her conceptual, earnest and humorously imaginative oeuvre spans from videos, photography, sound pieces to theatre productions.art bridges into visual arts with the use of popular culture and shifts through different subcultures and phenomenon to create the surreal landscapes that she is most known for – actors incased in behaving like dogs reenact a hysteric day in the office, ordinary people dancing to hip-hop on the street, people dressed in Chinese shopping bags and a stage production incorporating Guangzhou’s street youths are just a few examples of using the city’s everyday life to analyze and render the current social situation where traditions and new influences are constantly in conflict.
Her exhibition in the Para Site Art Space features her most successful work to date –, a film and installation project.
Cosplayers (Costume players) are fans of Japanese Manga-comix who dress up and act as their favorite characters. The group of Cosplayers featured in her video work is emblematical of the generation of youngsters growing up during the last two decades amidst China’s rapid development.presents a real subculture suffused in illusions through her work and reflects the dilemma of youth existence and ennui emerging in the face of Chinese urban and economic transformations. These players navigate in-between worlds of fantasy sword fights and mundane reality and by juxtaposing them against the domestic and urban backdrops, the parallel realities in play in reveal the life attitudes of China’s modern-day youth as alienated urban superheroes trying to deal with the urgent reality and the unease of populations left out of economic miracles.
More materials are available to view on site at Para Site.
The Archive Project is financially supported by the Project Grant of the Hong Kong Arts Development Council.