A Journal of the Plague Year

This publication, co-published with Sternberg Press and designed by Project Projects, New York, is based on the highly acclaimed exhibition A Journal of the Plague Year. Fear, Ghosts, Rebels. SARS, Leslie and the Hong Kong history, curated by Cosmin Costinas and Inti Guerrero, and presented at Para Site in 2013, and subsequently at TheCube Project Space in Taipei, Arko Art Center in Seoul and Kadist Art Foundation and The Lab in San Francisco.

A Journal of the Plague Year critically analyzes historical and contemporary imaginations and politics of fear in the face of disease and the specter of contamination in society and culture. Scholars, artists, novelists, and journalists depart from Hong Kong’s history of epidemic—the most recent being the SARS outbreak of 2003, shortly followed by the tragic death of pan-Asian pop icon Leslie Cheung, and tackle the galvanizing power and the varied perceptions of contagion in the context of lingering histories, myths, anxieties, and memories across geographies. The essay by Costinas and Guerrero introduces the many layers and tentacles of the project. The disappearance of the perished and appearance of ghostly spaces are represented in the poetic storytelling of Dung Kai-cheung’s Atlas: The Archaeology of an Imaginary City, while excerpts from Shih Shu-ching’s literary masterpiece, City of the Queen: A Novel of Colonial Hong Kong, vividly portray the interwoven social relations and colonial structures during the time of plague. Artist James T. Hong contributes an exposé on disease, race, purity, and cleansing; writer and curator Xiaoyu Weng departs from the stereotypical iconography for Chinese immigrants appearing in the print media of the 1910s in California, in an essay about yellow peril and artist Ming Wong’s recent works exploring the recurrent archetypes of Chinese and Asian identities in Hollywood films; artist Pak Sheung Chuen and writer Lawrence Pun discuss their personal memories of how protests, linked to the aftermath of SARS, transformed their ways of being in the world; Zuni Icosahedron’s humorous dramatic script The Phantom Mask visits the political cover ups and the political mood of parts of Hong Kong society at the time of the SARS crisis; journalist Fionnuala McHugh undertakes a deep analysis on the rhetoric of fear caused by the handling of the epidemic; Taiwanese film and art critic Austin Ming-Han Hsu explores the Anti-Chinese rhetoric in the public sphere of Hong Kong through an extensive reading of an installation by Ai Weiwei; cultural theorist Natalia S. H. Chan discusses the way in which the roles that Leslie Cheung played reflected, and arguably enhanced, the versatility of the city’s identity over the past decades, before and after the Handover; Chinese cultural studies scholar Michael Berry explores how epidemics and diseases like SARS and Ebola have been cast in Hong Kong cinema; and a detailed contextual introduction of five historic performances offers models of resistance and empowerment.

The publication is available for purchase through Para Site for 250 HKD + shipping. Please email info@para-site.art to place an order.

This book has been made possible through the generous support of The Robert H. N. Ho Family Foundation.

Edited by Cosmin Costinas, Inti Guerrero and Lesley Ma
Designed by Project Projects, New York
Published by Para Site, Sternberg Press

192 pages
ISBN 978-3-95679-117-8
HK$250.00 (postage not incl.)

About The Robert H. N. Ho Family Foundation

Established in Hong Kong in 2005, The Robert H. N. Ho Family Foundation is a private philanthropic organization that seeks to foster and support Chinese arts and culture and to promote a deeper understanding of Buddhist teachings and their application in everyday life. In pursuit of that mission, the Foundation engages in strategic, long-term projects in Hong Kong and around the world to support efforts that make traditional Chinese arts accessible and relevant to different audiences. It also supports the creation of new works that brings innovative perspectives to the history of Chinese art, and that improves the quality and accessibility of scholarship on Chinese art. Guided by a belief that the insights of Buddhism have a vital role to play in approaching the challenges facing contemporary society, The Robert H. N. Ho Family Foundation has committed substantial resources to expanding the understanding, interpretation, and application of Buddhist philosophy. To learn more about The Robert H. N. Ho Family Foundation and its activities, visit www.rhfamilyfoundation.org