Wing Po So: ‘Take Turns’
Zolima Citymag: An Apothecary of Forms: So Wing-po Experiments With Materials
RTHK: The Works 2025-04-16
Art Basel 2025
The New York Times: Art Basel Hong Kong’s Film Program Blends Facts, Fiction and Fantasy
SCMP: Catch ghosts and cyborgs at this year’s Art Basel Hong Kong screenings
‘How to be Happy Together?’
Artforum China: Critics’ Picks: ‘How to be Happy Together?’
SCMP: Hong Kong art show that’s homage to Wong Kar-wai ponders meaning of home for expat workers
The Art Journal: 「快樂的方式不只一種」：在孔竅叢生的空間中打開對話的通路
Daoju: Be Happy, Together
‘The Embrace and the Passage’
Ming Pao: 吞吃鬱結
Art Labor: ‘Cloud Chamber’
Artforum: Best of 2024: Hung Duong’s Top Ten
ArtAsiaPacific: Review: Art Labor: ‘Cloud Chamber’
e-flux Criticism: Stephanie Bailey on “Cloud Chamber”
STIRworld: Art Labor and Jrai artists reconsider Vietnam’s modern development
Ming Pao: 創作之間 「藝術勞工」尋見越南少數族群文化
Ocula: Art Labor to Bring Vietnamese Highlands to Hong Kong
Yeung Siu Fong: ‘Questscape’
Yahoo! News: 專訪｜觸電失雙臂 藝術家楊小芳 Art Basel 設展 以作品探索身體
RTHK: Art Basel organisers hail ‘year of renaissance’ in HK
South China Morning Post: ‘Crip art’: disabled artists get new Hong Kong platform, sparked by shocking job interview
Aki Sasamoto: ‘Sounding Lines’
Flash Art: Review: Aki Sasamoto: ‘Sounding Lines’
Performance Art Museum Reviews: Shrimps, Sounds, Lines
ArtReview Asia: Aki Sasamoto Flips the Switch
ArtAsiaPacific: The Essential Works of Aki Sasamoto
Tatler: Tatler’s ultimate guide to exhibitions in Wan Chai and Eastern District during Art Basel 2024
Trevor Yeung: ‘Soft breath’
Artforum China: Critics’ Picks: Trevor Yeung: ‘Soft breath’
SCMP Magazine: Gay cruising hotspot or sacred Hong Kong wishing tree? It is both in this art exhibition by Trevor Yeung
Artforum: Critics’ Picks: Trevor Yeung: ‘Soft breath’
ArtReview China: Feeling safe with Trevor Yeung
The Art Newspaper: From Hong Kong to Venice, Trevor Yeung conjures objects of desire
